My “now” song: Kuchh toh log kahenge

Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, etc. This becomes my “now’” song, and the “nowness”  (pardon my English here) could be for any length of time.

Last week, I received a call from an old friend. She was quite upset with a common acquaintance of ours for having made some disparaging comments about her on a social media platform. I had seen those comments and also the insecurity that had brought forth such petty comments.

I mentioned as much to my friend and told her to just ignore the comments. She said that she was trying to, but was finding it difficult as she was worried about what others who had read those comments would think. Her exact words were in Hindi: “Log kya kahenge?”

And my reply to her was this song:

“Kuchh toh log kahenge, logon ka kaam hai kahna
chhodo bekar ki baaton mein, Kahin beet na jaaye raine…”

I haven’t stopped singing this song since then. Not surprisingly, this beautiful song from the film Amar Prem, sung by Kishore Kumar to music composed by R.D. Burman with lyrics by Anand Bakshi has become my “now” song. I find this song very self-affirmative, especially in a world that is so impatient and with people who are so quick to jump to conclusions and judge you.

My friend has put the incident behind her and is feeling better, much better. To be honest, I’m feeling better too. I didn’t know I needed this song as well. :)

PS: What is your current “now” song?

Of music and memories in Pune: 22 years on

It doesn’t take much to trigger off old memories. Take for instance the invitation I received to attend a classical music concert by renowned flautist Milind Date at the Gandharva Mahavidyala, Pune.

The invitation took me back to the time I was studying in Fergusson College (Pune) where Milind and I were batchmates with some common classes and practicals.  We were not close friends or belonged to the same ‘group’, but were more of acquaintances with some common friends. All through college, I had no idea of Milind’s music and got to know of it only in my third year of college. How I got to know is a story worth sharing, but I request for a little patience from you.

Milind and I re-connected many years after college when I joined Facebook in 2007 and over the next few years, remained in touch via Facebook. I followed his concert announcements and tours and listened to the snippets that he would share, but never managed to meet him or make it to one of Milind’s live performances. The invitation was a chance to remedy that. :-)

The invitation was doubly attractive as it was taking place at Gandharva Mahavidyalaya, where I learnt Hindustani Classical music. Every Wednesday morning, for 2 years, I attended vocal music classes before college. I loved everything about my music school — my guruji, the traditional architecture of the school building, the cool whitewashed halls and dhurrie-covered floors, the music rooms lined with tanpuras, sitars, harmoniums and tablas… Those musical mornings were magical and after a world filled with Bihag or Kaafi or Yaman or Patadeep or whatever raga I would be learning at the moment, it would be difficult to concentrate in my college lectures.

In other words, it was musical heaven and one that I had not visited in 22 years. And after I receive the invitation, I could not wait to visit it again after all this time. So that Wednesday in January, I took the afternoon bus to Pune to arrive well in time for the evening concert.

You know that feeling when you are about to meet someone or return to a place after a long time? That feeling of mounting excitement? That’s what I was feeling when I got off the rickshaw and walked towards the entrance to Gandharva Mahavidyalaya.

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My “now” song: Oh re taal mile nadi ke jal mein

Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, etc. This becomes my “now’” song, and the “nowness”  (pardon my English here) could be for any length of time.

My “now” song is Oho re taal mile nadi ke jal mein from the film Anokhi Raat and sung by Mukesh to music composed by Roshan with lyrics by Indeevar.

This song was a hot favourite during my college and University days in Pune and I have some fond memories associated with it…

  • of listening to this song on Vividh Bharati
  • of singing along while completing whatever assignment or journal I was working on at that time
  • of hostel gatherings and antaksharis where this song was a ‘must sing’.
  • of hearing this song rendered at every field trip and class picnics by a classmate who only knew this one song.

I was in Pune last week and met some friends from my University days. As it usually happens with old friends, there was some talk of the present, a little of the future and a lot of reminiscing about the past. And one of the things that came up was this song.

I sang the song then and I’m still singing it after a week. :)

The incredible music of Salim Khan and Sikander Langha

It has been almost 3 weeks since my Suryagarh trip, a trip that will go down as one of those trips of a lifetime. Being able to see the incredible monsoon desertscape, to visiting lesser known and popular sights in Jaisalmer, to the food feast laid out for us, to the pampering … everything was special.

But the reason that makes Suryagarh really special was an experience that stood over and above everything else and one that remains with me even today — the incredible music I heard at Suryagarh. Right from the Padhaaro Mhaaro Desh (please click on the song to hear it being rendered by Meelu Khan and Maqsood Khan) that welcomed me to the hotel or the performance of Manganiar musicians during dinner on the first day or the Langha musicians performing during dinner on the second day or hearing Algoza for the first time or discussing Rajasthani folk music…it was music, music and more music all the way.

Langha folk artistes, Kahnoi sand dunes, Jaisalmer, Suryagarh

Langha musicians performing at the Kahnoi sand dunes

Music is a quiet passion for me. While I enjoy hearing new kinds of music and am always open to hearing different kinds of music, I rarely seek music, local or pre-recorded, during my travels and Suryagarh was no different. But music was everywhere at Suryagarh and one that enveloped me in its melodious magic. While all the music I heard was truly incredible, two performances stood out for the sheer quality and for the interaction I was able to have with the musicians concerned.

I’ll introduce them to you a little later but for now let us call them the singer at the sand dunes and the musician at the window. Because that is how I first saw them and heard their magical music. My interactions with both of them left me feeling truly blessed and like the chosen one :-)

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My “now” song: Anjan ki siti

Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, etc. This becomes my “now’” song, and the “nowness”  (pardon my English here) could be for any length of time.

I love the rains, not so much for the romance associated with it, but for the freshness that it brings. It is a time for to take things a little slowly, for long walks, hot cups of tea, books to be read and listen to lots of music, particularly folk music. If you were to ask me what the connection is between folk music and the rains, I have no explanation.

Therefore, it is not surprising that my “now song is Anjan ki siti mein mhaaro man dole, a folk song sung by Rehana Mirza.

A mix of Rajasthani and Haryanvi, Anjan ki siti... has been pretty addictive and I have this song playing at home, at office… and often singing along with it as well. :) I was introduced to this song by Teevramadhyam and I can’t thank him enough for this.

What is your “now” song?

Know thy audience

The Guest Post Series onMy Favourite Thingshas contributions by those sharing my interests in travel, books, photography, music, and on issues that I am passionate about. Though the guest posts are not always by fellow bloggers, the guest authors are always those who have interesting experiences to share.

Today’s guest post is by Srinayan, the infrequent blogger of The Random Walkaround. Srinayan, however, prefers to be known as a lethargic blogger who is long on intent, but somehow falls short on delivery. An engineer by profession, he writes on many topics, but always with sensitive insight and understated humour. Today’s guest post is on something that readers attending classical music performances would be familiar with.

Performing artistes of today — especially classical dancers and musicians — often speak about the necessity to connect with their audiences. The ability to do so decides the difference between recognition (and a healthy bank balance) and obscurity. Audience tastes and receptiveness is no longer taken for granted.

A generation-and more-ago this approach would have been dismissed as pandering to the audience. Concert-goers were generally knowledgeable and came to the performances fully aware of what to expect. A well-known artiste knew that he (or she) had to live up to expectations. A less well-known performer knew that this concert could be another step forward in his (or her) quest for wider recognition. Fulsome praise or damming criticism — the artiste had to be prepared for both.

There would the occasional misstep or the wrong note which made the performance more memorable.

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