Book Review: Sirens Spell Danger

Self-published books are not my choice of reading material. In fact, I would prefer not to read them at all as my experience of reading such books has not been a very happy one. I know it sounds like a sweeping statement, not to mention prejudiced, but…

Now consider this scenario. A fellow blogger and a friend, Suresh Chandrasekaran, whose writing I admire and like very much, comes out with a self-published book. This leads to a dilemma or what can even be called a “situation”: I really want to read the book, but the self-published tag is a big deterrent of sorts. While I am mulling over this, Suresh (who I think is aware of my views on self-published books) requests for my feedback on the book. I agree, buy the book, read it and one afternoon over a long FB chat give him feedback on the book. This happened about 6 months back.

Sirens Spell Danger, ebook, Suresh C

Recently, I participated in an excellent discussion on “Self-Published Books” (do click on the link to read more about the discussion) at The Sunday Book Club (TSBC). It was an enlightening discussion and one that spurred me to to convert the feedback I gave Suresh on the book, Sirens Spell Danger, into a full-fledged book review.

Sirens Spell Danger (2013, Amazon eBook) is a collection of three longish short stories edited by Suresh. As the title suggests, all the stories in the book have women or “sirens’ as the pivot.

The sirens are not necessarily the protagonists of the stories; instead, they are characters without whom there would have been no story in the first place.

Continue reading

Book Review: Silent Cinema in India

Watson Hotel, Historic Hotel, Mumbai

Watson’s Hotel / Esplanade Mansion

In the busy Kala Ghoda area of South Mumbai is a run down, decrepit building called Esplanade Mansion. Once upon a time, it was known as Watson’s Hotel and is India’s oldest surviving cast-iron building today. Fabricated in England and assembled on site between 1867–1869, Watson’s has quite a bit of a history attached to it.

There are many stories about Watson’s, but the one I’m going to share here is in the context of the book being reviewed here — Silent Cinema in India: A Pictorial Journey (Harper Collins, 2012, Price: Rs.4,999/-) by B.D. Garga. It was at Watson’s Hotel that the Lumeire Brothers’ Cinematographie was screened on July 7, 1896, to an all-white audience for an admission fee of one rupee.

“Cinema arrived in India like an itinerant traveller, unannounced” (pg.15).

image Continue reading

Govinda: Book 1 of The Aryavarta Chronicles

A couple of pages into the “Author’s Note” in Book 1 of the The Aryavarta Chronicles: Govinda (2012, Hachette India) by Krishna Udayasankar, I came across these lines:

We are the stories we tell. The Aryavarta Chronicles are neither reinterpretation nor retelling. These stories are a construction of reality based on a completely different set of assumptions… I am simply one of those innumerable bards who passes the story on, contexualized and rationalized but not lacking in sincerity or integrity. It is you, the reader, who shall infuse it with meaning and bring it to life as you will. (pg. vii)

Govinda, Aryavarta Chronicles, HachetteHa ! That’s what nearly every author of mythological fiction claims, I grumbled to myself as I settled down to read Govinda.

458 pages later, when I closed the book shut, I was no longer grumbling. Instead, I was keenly aware that I had just finished reading a book that had turned out exactly as Udayasankar claimed, particularly the last sentence.

Govinda was no “old wine in new bottle”, as I had initially feared, but a completely fresh perspective on the most timeless of all epics — the Mahabharata. It was a perspective that delighted me, challenged me and, more importantly, made me think.

Continue reading

Business Sutra: A very Indian approach to Management

Business Sutra, Devdutt Pattanaik, Aleph Book CompanyWhen Business Sutra: A Very Indian Approach to Management (2013, Aleph Book Company, pp. 438, Hardbound, Rs.695/-) was offered for review, I went through a dilemma of epic proportions. Authored by Devdutt Pattanaik, whose books and articles on Indian mythology I have read and enjoyed over the years, the book title had the dreaded word “management”.

Now, management books and I don’t see eye to eye, so much so that I completely ignore the management section in bookstores and pretend like they don’t exist. I’ve tried to read books recommended by friends and have found myself yawning with boredom or scratching my head at the drivel written. Management books are also probably the only reason why I don’t have a management degree ! On the other hand, I am a mythology buff and will do anything to get my hands on a book from this genre.

I’m sure you can appreciate the dilemma that I went through over deciding on whether to read the Business Sutra or not. I didn’t bite my nails or have hysterics. Just allowed my head (management) and my heart (mythology) to battle it out.

And the winner was… I got a copy of the book to read and review. :-)

Continue reading

Lonely places, lyrical prose

The Guest Post Series onMy Favourite Thingshas contributions by those sharing my interests in travel, books, photography, music, and on issues that I am passionate about. Though the guest posts are not always by fellow bloggers, the guest authors are always those who have interesting experiences to share.

Today’s guest author is Zephyr of The Cyber Nag, who writes about “social issues, family and kids” with dollops of humour, gentle sarcasm, and subtle nagging for our conscience without sounding patronising or condescending. In my opinion, her writing can only be classified in one category, “Excellent”. In today’s post, Zephyr moves away from the topics that she usually writes on and talks about Pico Iyer’s Falling of the Map and how, in spite of not being a fan of this genre, slowly fell in love with this book.

I heard about Pico Iyer and his highly acclaimed Video nights in Kathmandu, about a quarter century ago. But somehow, the title didn’t appeal to me. Don’t ask me why. And so Iyer remained a quaint name in the far recesses of my mind for some years.

Falling off the mapThen came his Falling off the map ( first published in the US by Alfred Knopf in 1993). This one sounded intriguing. My fertile imagination made me visuaIise the countries mentioned in the book jostling for space to stay on the map, but kept being pushed out by the other and better known countries. Sometimes these countries fought with the lonely ones, making them sadder and lonelier! But the book remained right there – in my imagination because back then I couldn’t afford to buy new books and most of my purchases were restricted to second-hand bookshops. Alas, for Falling… to come to that sales outlet, I would have to wait a long, long while.

Besides, travel books as a genre, did not hold much appeal for me. I liked James Michener’s Hawaii, but it was more a historical novel than a travel book. Till one day I picked up a small volume of Lost Continent by Bill Bryson. It was such a delightful read and made me laugh so much that I got hooked – not to travel books, but to Bryson. And Pico Iyer remained a distant name, just like the countries he had written about in that book.

It took a session of #TSBC on travel books to remind me of that long forgotten name and his book and I promptly bought Falling off the Map (2004, Penguin Books India, pp.190, Price: 250/-) from Flipkart.

Continue reading

Celebrating India: A book review

What makes India a nation? What gives a common Indian identity to its billion plus population? Is it religion? Is it race or ethnicity? Is it language? Or is it something else altogether? In his essay on “The Invention of India”, Shashi Tharoor says that the answer for a common national identity, unlike in other countries, is neither religion nor race nor ethnicity nor language, but diversity.

India is never truer to itself than when celebrating its diversity. (in Celebrating India, p.14)

Celebrating IndiaThese particular lines in Tharoor’s essay sets the context for Celebrating India (2012, Nivasini Publishers, pp. 152, Rs. 200), an anthology that aims to celebrate this diversity and the “India in each of us” through memoirs, poems, short stories, travelogues and art. A special feature of this book is that all the contributors have waived off their fees and have agreed to contribute the profits of the book to the Yamini Foundation, Hyderabad.

An initiative of the publishers themselves, this anthology has contributors from various backgrounds — journalists, engineers, editors, academicians, film personalities, students, bloggers… In fact, nearly half the contributors have blogs !

The contributors are a mix of well-known names like Tharoor, Gulzaar and Deepti Naval and unknown writers (for me at least) and have attempted to elaborate on the theme of the anthology in their individual pieces. And do the contributors succeed in communicating this? Let’s see.

Continue reading