The three directional dilemma

The Guest Post Series on “My Favourite Things” has contributions by those sharing my interests in travel, books, photography, music, and on issues that I am passionate about. Though the guest posts are not always by fellow bloggers, the guest authors are always those who have interesting experiences to share.

Today’s guest author is Raghav Modi, who writes four blogs —The Traveling TickerTicker Talks Film, Ticker Prints, and Ticker Talk. I admire the passion with which Raghav writes and his ability to juggle his many interests so effortlessly. I like all that he writes, but my favourite post has to be the one on a museum of pens in Birmingham. Raghav is also the founder of Movie Talk on Sunday (#MTOS), and The Sunday Book Club (#TSBC). In today’s guest post, Raghav’s three primary passions in Films, Travel and Photography converge to create unique serendipitous moments.

Ever get the feeling that you are being pulled in three different directions at the same time? I do. Every time I have a moment to spare, I feel like my interests/passions/hobbies all gang-up and pull me towards their individual selves. Films and Travel have always occupied the highest tier on my activities table. Photography was recently added to this knocking down books and food to the under-appreciated second tier. So now when the weekend rolls in I am never sure what to do, which eventually leads to me doing absolutely nothing.

But, just once in a while, something magnificent happens. Everything falls perfectly in place and I end up with a photograph, a memory, or in some cases my vivid imagination wherein all my interests amalgamate. Searching through countless photographs (thank you digital camera technology) I ended up with these few instances wherein my lust for cinema met with my passion for travel to collaborate into a unique photo.

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I love 3D films!

Source: Wikipedia

I have not always loved 3D films. In fact, I have always managed to avoid them for 2 main reasons: 

(i) Since I wear spectacles, it is very uncomfortable to wear the 3D glasses.

(ii) The thought of wearing glasses which countless others have worn before me makes me squeamish.

But all this has changed. Thanks to some hand sanitizer for the 3D glasses (my niece’s idea), and Big Cinemas‘ comfortable 3D glasses, I finally watched a film in 3D—Shrek The Final Chapter.

And what a movie! I can barely remember the storyline and not even a single dialogue, but I can remember every single 3D effect, which was enhanced by the really big screen at Imax (in Wadala, Mumbai).

Right from the opening scene with the horses riding towards you till the end with Shrek and Fiona’s kiss—it was one memorable 3D effect after another all the way.

Suddenly, the word ‘perspective’, has an entirely new meaning for me. :-)

The doubly inspired ‘Rajneeti’

 Rajneeti…—an intense course in ancient Hindi. If d film is a bouncer just remember Godfather and put things in perspective…

I received this text message from my friend Shalini, who watched the film the day it released.

Source: Wikipedia

The Godfather angle was a new one, as all reviews and speculations about Rajneeti was that it was based on the Mahabharata.

Now I had to see this doubly inspired film. So off I went to see Rajneeti.

And…?

 

The first half was well-paced, had some strong  characterisation, and kept me hooked. All this of course changed in the second half. It was downhill all the way, particularly the dialogues.

In fact, I would say that the dialogues are the biggest drawback of the film. I did not have a problem with ‘ancient hindi’, as Shalini had, as it fitted in well with the geographical area that the film is based in. My problem was that the dialogues did not match the character who spoke them. For example, Katrina Kaif’s character suddenly changes from speaking ‘regular Hindi’ to ‘ancient Hindi’.

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The Poetry of Kites – The film

Source: Wikipedia

Poor Kites. The film, that is. The way reviewers have mauled the movie has been savage.

I’ll probably be lynched by a quite a few people and disowned by many of my friends when I say that I quite liked Kites.

It is not like the film is flawless. On the contrary, it is full of them—patchy story line, half-baked characterisation, overacting, underacting, … You must have read the reviews or seen the film to know what I am talking about.

But, in spite of the flaws, it has a redeeming quality that no one can ignore—the beautiful cinematography by Ayanaka Bose. It is sheer poetry.

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