Museum Treasure: Vaikuntha Kamalaja

The Dr. Ramnath A. Podar Haveli Museum at Nawalgarh in the Shekhawati region of Rajasthan was built in 1902. Originally a residence and known as Podar Haveli, it was converted into a museum after major renovation and restoration works were undertaken of the frescoes and murals that cover every inch of its exterior and interior walls.

The Haveli Museum, which is over 100 feet long, is supposed to have 750 frescoes on its outer walls, passages, two courtyards and all the rooms in the lower level. Every fresco/mural is detailed and covers themes from mythology to local folk tales to whimsical depictions of everyday life.

Though there were many stunning works of art at the Haveli Museum, there was one that caught my eye — more for the unusual subject than for the quality of art. It was like an Ardhanareeshwara, but instead of the composite image of Shiva and Parvati, it was one of Vishnu and Lakshmi.

Vaikuntha Kamalaja, Vasudeva Kamalaja, Vasudeva Lakshmi, Composite form of Vishnu and Lakshmi Ramnath Poddar Haceli Museum

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Delhi and I

This is the story of a 36-year old relationship with a city that has had many names in the past, but is known quite simply as Delhi today.

It is a city that has fascinated me for a long, long time.

It is a city that I have never lived in, but have visited it so many times that I have lost count.

And yet, it is a city, that I know very little about.

It is a city that sets off my respiratory allergies, if I stay for more than a day.

And yet, it is also a city that I want to live in for at least a year.

Delhi, History and Heritage, Many Delhis, Mughal Delhi, Pre-mughal Delhi

Agrasen ki Baoli. Photo: July 2016

It is a city where diffused and clear memories and experiences are strung together in the same strand.

Like my first visit to Delhi in 1980.

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Book Review: Fence

This book review is part of #TSBCReadsIndia, a reading challenge where one reads a book from each State and Union Territory of India. Presenting the fourth of the 36 books to be read — the book from Gujarat — in this literary journey across India.


Fence, Ila Arab Mehta, Rita Kothari,Fence by Ila Arab Mehta is the English translation of the Gujarati original, Vaad (2011) by Rita Kothari. Published by Zubaan Books in 2015, Fence (Paperback, 232 pages) was not my first choice for the book from Gujarat for #TSBCReadsIndia. But when I came across this review of Fence, it didn’t take me long to decide on this book as my read from Gujarat and order a copy for myself.

I started reading the book almost as soon as I got it, but found it very difficult go beyond the first 100 pages or so. I must have stopped and re-started reading the book at least 4-5 times over a two-month period before finally giving up and putting the book aside.

This was more than a year back, and in that period I read other books and periodically mulled over whether to continue reading Fence or give it up, whenever I saw it on my bookshelf. Last week, when I came across Fence once again, I decided to give it another, last, attempt at reading the book.

It took me three days to read Fence, cover to cover, but finish the book I did. And then immediately got down to writing its review.

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My “now” song: Allahvai naam thozhudaal

Do you ever have a song, an idea, a story line, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, a background score, etc. That particular piece of music becomes my “now’” song, and the “nowness”  (pardon my English here) could be for any length of time.

My current “now” song: Allahvai naam thozhudaala composition by Nagoor Hanifa and sung by T.M. Krishna.

Surprisingly, it was Twitter which introduced me to this gem, and I still can’t get over that. I was home on sick leave from work that weekday in October with a fever and body ache. Restless and unable sleep, I logged into my Twitter account to do ‘time pass’.

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The underrated wonder that is Mahabalipuram

I first heard about Mahabalipuram in a chapter of my Class 8 or 9 Hindi textbook. While I don’t remember who the author of that piece was, I do remember that it was about the ruminations of a sculptor who wondered about the glorious temple ruins by the sea-shore and how they came to be.

Though the chapter didn’t mention Mahabalipuram as the place the sculptor was talking about, my Hindi teacher said that is where the story was based. He also elaborated a bit on the history of Mahabalipuram and that had me hooked. My young and impressionable teenaged mind found the description of a bygone era and the desolation of temple ruins by the sea-shore very romantic.

The visual stayed with me through school, college, university… till I actually visited Mahabalipuram in 1996. This was in the summer of that year and the heat and tourist hordes dispelled any romantic notion I had about Mahabalipuram. But the monuments left an impression on me — enough to make me want to re-visit it.

It took me almost 20 years visit Mahabalipuram again.

Mahabalipuram, Mamallapuram, Pallavas, Shore Temple, UNESCO World Heritage Site, Tamil Nadu, Heritage

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On the trail of Jain heritage in Tamil Nadu

It all began with a Twitter DM (or direct message) I received from my friend and fellow blogger, Anuradha Shankar.

It was the summer of 2014 and Anu was travelling, or doing a temple run as she preferred to call it, in the Tirunelveli district of Tamil Nadu. She would send me an occasional update about the temples she was visiting — delight over seeing exquisite murals in one or despair on coming across bathroom tiles in another.

When I received a DM from her that May evening, with a “See this !”, I wondered what was it she had sent me this time and whether it would be a rave or rant ! As it happened, it didn’t matter for the photograph that Anu had messaged me simply took my breath away.

Jain Temples of Tamil Nadu, In search of Jain heritage in Tamil Nadu, Travel, Jainism, Kazhugumalai

Photo: Anuradha Shankar

I messaged back. Jain Art? In Tamil Nadu? Where? What? How? When? Anu replied, Yes. Yes. This is Kazhugumalai, 8th-9th century CE. Rest when I get back. I was stunned for till then I had no idea about the existence of Jain culture — past or present —in Tamil Nadu. I had wrongly assumed that Karnataka was the furthest South that Jainism had spread to.

That one photograph sparked off an interest in Jainism in Tamil Nadu, an interest that continues to grow by the day. From researching about the fascinating history of Jainism in Tamil Nadu to visiting heritage Jain sites in Madurai and Kanchipuram to writing an assignment on reclaiming Jain heritage in Tamil Nadu (as part of the Indian Aesthetics programme at Jnanapravaha Mumbai earlier this year)… the quest into Jain heritage has been an ongoing journey.

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