Ilay Cooper’s book on Shekhawati set me off on an extraordinary trip to that extraordinary place in January this year. I had to wait for nearly 6 months, though, before I felt ready to write about it — so overwhelming were my thoughts and emotions. This post on Fatehpur is the sixth of 8 posts in the series on “The Painted Towns of Shekhawati”. If you haven’t read the introduction to Shekhawati’s history (and the series), I recommend that you do so now, before proceeding further. If you have already done so, then dive straight into the post.
The door to the haveli was shut. A signboard (in Hindi, English and French) requesting visitors to ring the bell if they wished to tour the haveli greeted me instead. I rang the bell and waited. And I waited and waited some more… Just as I was getting ready to ring the doorbell again, I heard footsteps approaching the door.
The door opened and I found myself face to face with a young man, a Westerner, who said in a distinctly French accent, “Hello ! Sorry I took so long to open the door. I was in another part of the haveli. Are you here to see it?
“Yes, please, ” I said.
“Great ! My name is Jonathan and I’m an art history student. I’ll take you around the haveli. Would you like the tour to be in Hindi, English or French?”
I gaped at Jonathan and said, “Umm… English please.”
“Wonderful,” beamed Jonathan. “Welcome to the Nadine Le Prince Haveli.”
And that’s how an art history student from France took on a guided tour of a haveli in Fatehpur in the Shekhawati region of Rajasthan, India.
But more about that later, as I have to introduce you to Fatehpur and take you around some of the other havelis there first. :) Continue reading