I love South Mumbai, or town as many of us refer to that part of Mumbai. It is one of my favourite areas of the city and I’m always looking for excuses to head towards that side of the city. Need to buy a book? Want to stock up on dry fruits? Buy a gift? Meet a friend for coffee? No, problem. I just make a trip to town. :)
I haven’t been needing an excuse these last couple of months. Every Saturday, I head to town for my PG Diploma in Indian Aesthetics classes. Though they are in the afternoon, I try to combine it with other ‘work’ or explorations in town.
About a month back, I had a minor fall that left me with a sprained ankle. Nothing serious, but my doctor didn’t want me gallivanting to town in local trains or walking around and straining the ankle, especially since I was due to travel soon. (I leave today. Yay !). That meant that my forays to town had to be restricted to going for class and coming straight back home. It was a depressing thought !
A couple of days later after the fall, I got a mail from Blacklane, a car ride service referring to an earlier email exchange. Sometime in June, Blacklane had reached out offering me a ride anywhere in Mumbai. Since I didn’t need one at that time, I declined and we left it that. The second time around, I didn’t decline, Blacklane offered me their services a couple of Saturdays back.
This is an account, in pictures, of that day in town.
The visit to Nala Sopara in March this year had its beginnings in a museum located 85 km away in Mumbai. On one of my many visits to the sculpture gallery of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, I came across an exhibit which, at first glance, looked like a random block of stone.
But museums don’t exhibit just about any random block of stone, do they? A closer look at the stone exhibit revealed inscriptions and when I read the accompanying information board, discovered that I was looking at the 9th Ashokan Edict. This edict, which dates the third century BCE, had been found at a stupa in Nala Sopara.
I was vaguely aware that Nala Sopara had a Buddhist past, but this was the first time I was hearing about the presence of a stupa there. An internet search revealed that the stupa at Nala Sopara still existed, that it was under the care of the Archaeological Survey of India (ASI), and also that one could visit it. The same internet search also led me to this fabulous blog post that not only talked about the stupa, but also an ancient temple in Nala Sopara — the Chakreshwar Mahadev Temple.
The result? The first free Saturday that came up saw me headed for Nala Sopara (which is connected by suburban train services from Mumbai) with my friends — Anuradha, Rama and Rupal. :)
“And why should I give the keys of the building terrace to you?”
“We want to see the art painted on the terrace of your building?”
“The terrace is not safe. You could fall over.”
“We’ll be very careful. We only want to see the art work there.”
“That is what everyone says.” The office bearer of the Nabi Nagar Co-op. Housing Society at Dharavi (Mumbai) glares at my friends and me and launches into a tirade about people pestering him for keys to the terrace all the time, how it was no longer safe for the building children as they wanted to go to the terrace, how it was a nuisance, etc.
We listen to him and commiserate with him and promise to be very careful and not allow any children up on the terrace with us. But he isn’t done ranting and after what seemed like a long time, he runs out of steam and grudgingly hands over the keys to us.
As we thank him, he says with a sly smile, “The lift doesn’t work. You’ll have to take the stairs all the way up to the terrace on the 9th floor.”
On a Saturday morning in November 2014, I participated in a special, curated walk — perhaps the first of its kind — on street art. Organised by the St+art India Foundation, the walk was to showcase the culmination of almost three weeks of work done by 20 renowned artists from India and abroad in and around Bandra in Mumbai.
I had closely followed the progress of the various artworks on my Facebook and Twitter feeds. And each time an artwork was “unveiled”, the itch to go and see them for myself only intensified. So when the announcement of a curated and guided street art walk popped up on my Facebook feed, I immediately signed up for it. But then, the excitement gave way to scepticism.
Let me elaborate. I love street art — it’s vibrancy, its uniqueness, its colourfulness, and the fact that they don’t follow any set rules. But most of all I love how all the street art I have seen have been serendipitous and delightful finds. Something, I thought that a curated walk would not be able to give.
Location: Pali Village | Artist: Fomas
Still, the lure of seeing the St+Art in Bandra prevailed over my scepticism and I made it for the walk, as did 10 other people.
A short distance away from the Reserve Bank of India’s (RBI) buildings in South Mumbai is its Monetary Museum. The museum, which is the first (and perhaps the only one) of its kind is all about something that is an intrinsic part of our daily life — money. The Monetary Museum is not very well-known, but having visited it I can say that is one of Mumbai’s, and perhaps India’s, best curated museums.
Though I had been aware of the Monetary Museum’s existence for some years now, I had never gotten around to actually visiting it. Which is kind of strange as the Museum is located in an area that I visit quite often. And when I did actually visit it earlier this year, it was a spur-of-the-moment decision that led me there!
Mural at the entrance lobby of the RBI Monetary Museum. Please click on the picture for the source of this image
A 10-15 minute walk from CST or Chhatrapati Shivaji Terminus, the RBI Monetary Museum is a high security museum, with no photography and no bags inside. Entry is free and after depositing my bag and cell phone in the locker provided, and a security check later, I was inside the first of the 6 galleries of the Museum.
I received an Asus Zenfone 5for review just a couple of days before the Kala Ghoda Arts Festival (KGAF) began giving me the perfect opportunity to test out the phone camera, something that is very important for me in a smart phone. Enjoy reading my KGAF post, but do let me know what you think of the photographs too.
When I ended my post on the 2014 edition of the Kala Ghoda Arts Festival (KGAF) last year, it was with mixed feelings. Though I had liked the installation / visual art on display, I hadn’t particularly enjoyed the way the events (or rather the heritage walks I had participated in) had been organised and conducted. I was upset enough to write a post on all that was wrong with the way the heritage walks were organised.
KGAF 2014 had also ended with uncertainty about the 2015 edition of the festival. A Kala Ghoda resident had filed a case complaining about the inconvenience and nuisance caused by the KGAF and the Bombay High Court was considering shifting the venue elsewhere.
Over the last one year, I followed the news on all developments pertaining to the KGAF and read the arguments and the counter arguments, the demands made and the compromises offered… till one day, I saw the announcement for the KGAF 2015. At Rampart Row. And to be held as usual from the first Saturday of February.
That was on 7th February and I visited the KGAF on that very day. And then again on the 8th. Then the 10th, the 12th and finally on the 13th. I went alone and with friends, attended programmes and also met up more friends. Want to see what I did at the KGAF 2015? Read on…
These colourful ladders were not part of any installation. I just saw them lined up and had to take a photo. Never say no to colour !