When I entered the Sri Prasanna Venkatesa Perumal Kovil in Madurai on that January evening in 2016, I had no idea of the what I was about to see. I don’t think other members of the group I was travelling with did either.
The only clue that there was something important in the temple came from Sriram’s, our group leader’s, rather enigmatic statement that there was a surprise waiting for us there. He wouldn’t say what it was though, and went of in search of the priest.
I looked around trying to guess what the ‘surprise’ could be. Was it the 12 ft tall Hanuman idol? Was it the Perumal idol in the sanctum? Or was it something else? As I looked around trying to figure out the ‘surprise’ in the temple, Sriram beckoned to our group to gather around a small shrine on one side. It was a simple shrine with two framed pictures — one of which I recognised as that of Tyagaraja (1767-1847), one of the greatest composers of Carnatic classical music — and two old tanpuras or tamburas.
As the priest bustled around getting the shrine opened, Sriram casually announced that the tambura on the left used to belong to Tyagaraja. You could have heard a pin drop at the silence that followed. Continue reading