Do you ever have a song, an idea, a story line, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, a background score, etc. That particular piece of music becomes my “now’” song, and the “nowness” (pardon my English here) could be for any length of time.
My current “now” song is actually two different songs — Umraan Langiyaan and Chhan Chan Chankan — by different composers and lyricists seamlessly blended together into one composition for the purpose of a Coke Studio Pakistan performance.
Someone (and I can’t remember who) shared the link of this “song” on Twitter. I listened to it once, then twice, then a few more times to try to identify the raagas (Bhoop for the first song and Shuddh Kalyan for the second) in the composition. Before I knew it, I was playing this composition on a loop, and even though I didn’t understand the lyrics, it didn’t come in the way of my enjoying or appreciating the music.
About a couple of weeks back I came across the behind the scenes video for this composition. The video opens with the singer of Umrah Langiyan, Ali Sethi, explain that the song roughly translates into how an entire lifetime has passed on tiptoes waiting for something/someone. That something could be one’s homeland or and the someone could be a beloved. It could also be something that one has yearned for a long time.
Recently, I travelled to Uzbekistan (blog post coming here soon), a place I had been wanting to visit for a long, long time. In other words it was a trip to my dream destination. When I had my first glimpse of the Registan Square at Samarqand, Umrah Langiyan just came into my mind — a yearning that got fulfilled. And Chan Chan Chankan was the thanksgiving for the dream come true.
Just apt and perfect.
PS: I still don’t know what the lyrics mean, but I think they reflect the sentiments I’ve described above.
For more of my “now” songs and my other writings on music, do click here.