Over 500 events were organised during this iconic annual festival in the following categories: Children, Children’s Literature, Cinema, Dance, Food, Heritage Walks, Literature, Music, Stand-Up Comedy, Street and Stalls, Theatre, Urban Design and Architecture, and Visual Arts. While I wanted to attend some of the events in the Workshops and Heritage Walk sections, I couldn’t. I could only manage to view the installations at different venues — Rampart Row, CSMVS Museum Grounds and Cross Maidan.
I visited the KGAF 2016 on three separate days. The first was on the evening of the opening day itself. When I arrived at Rampart Row, it was to the familiar sight of college goers with selfie sticks, ‘serious’ photographers with even more ‘serious’ camera gear, families looking forward to an evening together, wailing toddlers… all queuing up impatiently for the security check. Once in, my eyes automatically sought out the installation of the “Kala Ghoda” or the black horse that the festival derives its name from. This installation changes every year and the 2016 version was a visual stunner. Fashioned like a giant chess piece, it was strategically placed in front of a horse-shaped cut out.
The grand and Gothic-inspired building of the Chhatrapati Shivaji Terminus in Mumbai is awe-inspiring at any time of the day. But when this UNESCO-listed world heritage site and the headquarters of Central Railway is lit up, it is simply stunning. Do click on the photograph below to see the details.
I came across the CST building, all lip up, a couple of Saturdays ago. It was around 7.30 pm and I was in a cab, homeward bound when suddenly CST appeared glowing like a jewel. I was lucky to get the red signal, which meant that I had time for a couple of quick photographs with my mobile phone, before the traffic surged ahead.
While I love to see monuments lit up and showing off their architecture, I really wish the colours are subtler and nicer. I found the pink and blue colours that light up CST quite garish and geared towards grabbing your eyeballs.
What are you think? Did you like the colours of CST? How do like your monuments lit up? Subtle? Eyeball grabbing? Thematic?
Mumbai Lens is a photographic series which, as the name suggests, is Mumbai-centric and is an attempt to capture the various moods of the city through my camera lens. You can read more posts from this series here.
A short distance away from the Reserve Bank of India’s (RBI) buildings in South Mumbai is its Monetary Museum. The museum, which is the first (and perhaps the only one) of its kind is all about something that is an intrinsic part of our daily life — money. The Monetary Museum is not very well-known, but having visited it I can say that is one of Mumbai’s, and perhaps India’s, best curated museums.
Though I had been aware of the Monetary Museum’s existence for some years now, I had never gotten around to actually visiting it. Which is kind of strange as the Museum is located in an area that I visit quite often. And when I did actually visit it earlier this year, it was a spur-of-the-moment decision that led me there!
Mural at the entrance lobby of the RBI Monetary Museum. Please click on the picture for the source of this image
A 10-15 minute walk from CST or Chhatrapati Shivaji Terminus, the RBI Monetary Museum is a high security museum, with no photography and no bags inside. Entry is free and after depositing my bag and cell phone in the locker provided, and a security check later, I was inside the first of the 6 galleries of the Museum.
I received an Asus Zenfone 5for review just a couple of days before the Kala Ghoda Arts Festival (KGAF) began giving me the perfect opportunity to test out the phone camera, something that is very important for me in a smart phone. Enjoy reading my KGAF post, but do let me know what you think of the photographs too.
When I ended my post on the 2014 edition of the Kala Ghoda Arts Festival (KGAF) last year, it was with mixed feelings. Though I had liked the installation / visual art on display, I hadn’t particularly enjoyed the way the events (or rather the heritage walks I had participated in) had been organised and conducted. I was upset enough to write a post on all that was wrong with the way the heritage walks were organised.
KGAF 2014 had also ended with uncertainty about the 2015 edition of the festival. A Kala Ghoda resident had filed a case complaining about the inconvenience and nuisance caused by the KGAF and the Bombay High Court was considering shifting the venue elsewhere.
Over the last one year, I followed the news on all developments pertaining to the KGAF and read the arguments and the counter arguments, the demands made and the compromises offered… till one day, I saw the announcement for the KGAF 2015. At Rampart Row. And to be held as usual from the first Saturday of February.
That was on 7th February and I visited the KGAF on that very day. And then again on the 8th. Then the 10th, the 12th and finally on the 13th. I went alone and with friends, attended programmes and also met up more friends. Want to see what I did at the KGAF 2015? Read on…
These colourful ladders were not part of any installation. I just saw them lined up and had to take a photo. Never say no to colour !
When you enter the sculpture gallery at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) at Mumbai, look to your left. You will see a towering slab of ‘stone’, about 11-12 feet in height. If you stand in front of the slab and position yourself a few feet away from it, this is what you will see.
Your eyes will be drawn to the central standing figure and the 6 figures who surround him. Two figures emerge from his shoulders and one rises from behind him. You will notice three more figures emerging from the middle figure — two from his sides and one from behind him. In addition to these 7 figures, you will notice five more figures grouped around the legs of the central standing figure.
Now move closer to see the finer details on the relief.
Did you know that there is another dargah near the world-famous Haji Ali Dargah in Mumbai? By near, I mean as the crow flies or perhaps in this case as a seagull flies, for it is across the sea at Mahalaxmi to Worli. This dargah is known as the Worli Dargah or the dargah-with-the-blue-dome. Of course, if you are aware of this dargah’s existence then you would know that its full and official name is Saint Ma Hajiani Dargah.
I didn’t know any of this. I can’t even say that I have seen the blue dome of the Worli dargah. In fact, I didn’t even know it existed till a friend told me about it. And that too, when she first mentioned it, I thought she was talking about the Haji Ali Dargah. As did the cab driver taking us there resulting in both of us being corrected by my friend and us, in turn, being reprimanded by the cab driver for not knowing the right name of the dargah or giving him the right directions.
Anyway, we reached the entrance gate leading to the Saint Ma Hajiani Dargah only to be confronted by a suspicious and surly watchman whose inquiring look made me feel like a school girl. When I mentioned the dargah he only pointed the way and motioned us in with a ‘finger-on-the-lips’ gesture.
We followed the direction pointed to us, went past a mosque on one side and some living quarters on the other side and came out into a little clearing with these steps going up.