A short distance away from the Reserve Bank of India’s (RBI) buildings in South Mumbai is its Monetary Museum. The museum, which is the first (and perhaps the only one) of its kind is all about something that is an intrinsic part of our daily life — money. The Monetary Museum is not very well-known, but having visited it I can say that is one of Mumbai’s, and perhaps India’s, best curated museums.
Though I had been aware of the Monetary Museum’s existence for some years now, I had never gotten around to actually visiting it. Which is kind of strange as the Museum is located in an area that I visit quite often. And when I did actually visit it earlier this year, it was a spur-of-the-moment decision that led me there!
Mural at the entrance lobby of the RBI Monetary Museum. Please click on the picture for the source of this image
A 10-15 minute walk from CST or Chhatrapati Shivaji Terminus, the RBI Monetary Museum is a high security museum, with no photography and no bags inside. Entry is free and after depositing my bag and cell phone in the locker provided, and a security check later, I was inside the first of the 6 galleries of the Museum.
I received an Asus Zenfone 5for review just a couple of days before the Kala Ghoda Arts Festival (KGAF) began giving me the perfect opportunity to test out the phone camera, something that is very important for me in a smart phone. Enjoy reading my KGAF post, but do let me know what you think of the photographs too.
When I ended my post on the 2014 edition of the Kala Ghoda Arts Festival (KGAF) last year, it was with mixed feelings. Though I had liked the installation / visual art on display, I hadn’t particularly enjoyed the way the events (or rather the heritage walks I had participated in) had been organised and conducted. I was upset enough to write a post on all that was wrong with the way the heritage walks were organised.
KGAF 2014 had also ended with uncertainty about the 2015 edition of the festival. A Kala Ghoda resident had filed a case complaining about the inconvenience and nuisance caused by the KGAF and the Bombay High Court was considering shifting the venue elsewhere.
Over the last one year, I followed the news on all developments pertaining to the KGAF and read the arguments and the counter arguments, the demands made and the compromises offered… till one day, I saw the announcement for the KGAF 2015. At Rampart Row. And to be held as usual from the first Saturday of February.
That was on 7th February and I visited the KGAF on that very day. And then again on the 8th. Then the 10th, the 12th and finally on the 13th. I went alone and with friends, attended programmes and also met up more friends. Want to see what I did at the KGAF 2015? Read on…
These colourful ladders were not part of any installation. I just saw them lined up and had to take a photo. Never say no to colour !
When you enter the sculpture gallery at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) at Mumbai, look to your left. You will see a towering slab of ‘stone’, about 11-12 feet in height. If you stand in front of the slab and position yourself a few feet away from it, this is what you will see.
Your eyes will be drawn to the central standing figure and the 6 figures who surround him. Two figures emerge from his shoulders and one rises from behind him. You will notice that three more figures emerging from the middle figure — two from his sides and one from behind him. In addition to these 7 figures, you will notice five more figures grouped around the legs of the central standing figure.
Now move closer to see the finer details on the relief.
Did you know that there is another dargah near the world-famous Haji Ali Dargah in Mumbai? By near, I mean as the crow flies or perhaps in this case as a seagull flies, for it is across the sea at Mahalaxmi to Worli. This dargah is known as the Worli Dargah or the dargah-with-the-blue-dome. Of course, if you are aware of this dargah’s existence then you would know that its full and official name is Saint Ma Hajiani Dargah.
I didn’t know any of this. I can’t even say that I have seen the blue dome of the Worli dargah. In fact, I didn’t even know it existed till a friend told me about it. And that too, when she first mentioned it, I thought she was talking about the Haji Ali Dargah. As did the cab driver taking us there resulting in both of us being corrected by my friend and us, in turn, being reprimanded by the cab driver for not knowing the right name of the dargah or giving him the right directions.
Anyway, we reached the entrance gate leading to the Saint Ma Hajiani Dargah only to be confronted by a suspicious and surly watchman whose inquiring look made me feel like a school girl. When I mentioned the dargah he only pointed the way and motioned us in with a ‘finger-on-the-lips’ gesture.
We followed the direction pointed to us, went past a mosque on one side and some living quarters on the other side and came out into a little clearing with these steps going up.
If you’re travelling towards Chembur or beyond from Navi Mumbai by the Sion-Panvel Highway, look left as the road curves right into V.N. Purav Marg (also known as the Sion-Trombay Road). You will see this white tower standing tall in the shade of trees against the BARC boundary wall.
This is the Sri Aurobindo Memorial Tower, which I have been seeing every day on my commute to work for the last 19 years. And every day I would look at the Memorial Tower with curiosity and tell myself that I would stop by one day to have a closer look at it. That day finally happened to be yesterday !
In the busy Kala Ghoda area of South Mumbai is a run down, decrepit building called Esplanade Mansion. Once upon a time, it was known as Watson’s Hotel and is India’s oldest surviving cast-iron building today. Fabricated in England and assembled on site between 1867–1869, Watson’s has quite a bit of a history attached to it.
There are many stories about Watson’s, but the one I’m going to share here is in the context of the book being reviewed here — Silent Cinema in India: A Pictorial Journey (Harper Collins, 2012, Price: Rs.4,999/-) by B.D. Garga. It was at Watson’s Hotel that the Lumeire Brothers’ Cinematographie was screened on July 7, 1896, to an all-white audience for an admission fee of one rupee.
“Cinema arrived in India like an itinerant traveller, unannounced” (pg.15).